parasitegirl: (Default)
parasitegirl ([personal profile] parasitegirl) wrote2009-11-23 10:07 pm
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Debke and you.

When I started bellydance, I never thought more folkloric styles would appeal to me. I viewed "folk dance" as kitchy stage performances, something trapped in amber and filtered through a nostalgia sieve, without understanding the real, communal, social roles they can play "in the field." I didn't get how the social/historical role, or the dances themselves, could inform what I was doing and make me a better dancer. Like many begining belly dancers, I saw the less-sexy costumes and combined them with static or kitchy presentations of other folk dances I'd seen in my youth and dismissed them.

And yet, two of the teachers (Karim Nagi and Ahmet Luleci) who've given me the greatest appreciation and understanding of the music I listen to and dance to have done so with a teaching approach that includes debke (social folk lines dances)...and I don't think that's a fluke.

I had an hour and a half private zill lesson with Karim today. I have a lot to think on and work on from that, and from the Sunday workshops, and it is not yet over. Tomorrow is our last workshop.

Suffice to say there will be a long write-up, here and in my fancy decorative BD notebook.

[identity profile] bluemoonsaga.livejournal.com 2009-11-23 04:45 pm (UTC)(link)
i always liked folk. i kinda assumed i would end up running a folk troupe. that would be great for the venues i do. trying to get decent instruction in it though has been inhibiting. that & nobody wants to do it.

[identity profile] kimuchi.livejournal.com 2009-11-23 07:35 pm (UTC)(link)
I liked folkloric, too. It was kind of what I was hoping for out of tribal. Unfortunately the dude I was taking lessons from moved away and I'm far too lazy to seek out an alternative.