Debke and you.
Nov. 23rd, 2009 10:07 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
When I started bellydance, I never thought more folkloric styles would appeal to me. I viewed "folk dance" as kitchy stage performances, something trapped in amber and filtered through a nostalgia sieve, without understanding the real, communal, social roles they can play "in the field." I didn't get how the social/historical role, or the dances themselves, could inform what I was doing and make me a better dancer. Like many begining belly dancers, I saw the less-sexy costumes and combined them with static or kitchy presentations of other folk dances I'd seen in my youth and dismissed them.
And yet, two of the teachers (Karim Nagi and Ahmet Luleci) who've given me the greatest appreciation and understanding of the music I listen to and dance to have done so with a teaching approach that includes debke (social folk lines dances)...and I don't think that's a fluke.
I had an hour and a half private zill lesson with Karim today. I have a lot to think on and work on from that, and from the Sunday workshops, and it is not yet over. Tomorrow is our last workshop.
Suffice to say there will be a long write-up, here and in my fancy decorative BD notebook.

And yet, two of the teachers (Karim Nagi and Ahmet Luleci) who've given me the greatest appreciation and understanding of the music I listen to and dance to have done so with a teaching approach that includes debke (social folk lines dances)...and I don't think that's a fluke.
I had an hour and a half private zill lesson with Karim today. I have a lot to think on and work on from that, and from the Sunday workshops, and it is not yet over. Tomorrow is our last workshop.
Suffice to say there will be a long write-up, here and in my fancy decorative BD notebook.

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Date: 2009-11-23 01:54 pm (UTC)no subject
Date: 2009-11-23 04:45 pm (UTC)no subject
Date: 2009-11-23 07:35 pm (UTC)