parasitegirl: (Default)
parasitegirl ([personal profile] parasitegirl) wrote2008-12-22 05:32 pm
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Artemis Show

My feelings about this here clip were noted a few days ago.

That being said, I've lightened up a bit since then. The zills are clunky, sparse, and predictable... but it was my first time on a large (for Tokyo) stage with a sold-out crowd playing zills. Two months before, before the restaurant because a regular thing,  I'd only played zills in public three times, I think I have gotten better. I'm still hating on a few things...and odd lurch here, an anticipated moment there, my right angle arms at moments and spins, unfinished moved I should have slowed down and followed through...but there are small moments where I see the dancer that I think I am...

Constructive comments are welcome, just be gentle. Realize that this is about 8 months ago and that I've had some influencial workshops and breakthrough moments since then...God, I hope I have. This will remained unfiltered for a bit.






[identity profile] kimuchi.livejournal.com 2008-12-22 03:07 pm (UTC)(link)
This is by no means meant as a criticism, but once or twice I got just a glimpse of...dmf. :D

[identity profile] parasitegirl.livejournal.com 2008-12-23 06:46 am (UTC)(link)
Yup!

When I was in art school one thing the drawing majors had to do in our last year was a "retrospective crit" where we eached filled a room full of as much artwork over the years as we could...age one-now...and we had to sit in that room for about 30 minutes before we let the others in and all talked about the art and what seemed to be threads/naratives....like the fact I have never drawn backgrounds. I like figures on an isolated plane...even in elementary school.

I'm sure if the same was done for my dancelife you'd find some core part of my dancing is essentially unchanged since DMF.